#Kong skull island deepfocus movie
#Kong skull island deepfocus series

But as soon as we got talking with Stephen and Jordan, it became clear that they really had a different idea in mind.

Jeff White: When we first started talking about the project, ILM animation supervisor Scott Benza and I started digging up all the gorilla reference we could find, thinking this would be the basis for the character. What sort of guidance were you given for creating this version of Kong? If you’ve yet to see the film, proceed at your own risk.ĭigital Trends: There’s been some variation in the way King Kong has been presented over the years, from his size to how much he resembles an actual gorilla. The Skull Island team’s efforts were rewarded with a monster that outdoes all its predecessors when it comes to realism, a film that was both a critical and commercial success, and an Academy Award nomination for visual effects. Digital Trends spoke to Rosenbaum and White about their work on Kong: Skull Island and the groundbreaking effects that put it in the running to take home an Oscar this year. The film featured the largest version of Kong to date, measuring approximately 100 feet tall, and the task of building a bigger, better Kong fell to a team of animators and effects artists from Industrial Light and Magic and other studios, led by veteran visual effects supervisors Stephen Rosenbaum and Jeff White. Included in this group is director Jordan Vogt-Roberts, who helmed 2017’s Kong: Skull Island, a prequel tale that follows a group of scientists and soldiers who find themselves tangling with Kong - and other giant creatures - while investigating a mysterious island in the Pacific Ocean.

#Kong skull island deepfocus movie

The sight of King Kong climbing the Empire State Building is one of Hollywood’s most iconic images, and the 1933 film that delivered that moment went on to inspire countless filmmakers to bring their own movie monsters to the screen.

#Kong skull island deepfocus series

Fitbit Versa 3Īhead of the 90th Academy Awards on Sunday, our Oscar Effects series puts the spotlight on each of the five movies nominated for “Visual Effects,” looking at the amazing tricks filmmakers and their effects teams used to make each of these films stand out as visual spectacles.